Check in on people as you do to earn some brownie points while you rack in those steps. As a PA, you should be relatively free to roam the set while the cameras aren’t rolling. Keep MovingĪvoid sitting idle whenever you can. Nutrition advice is always take-it-or-leave-it, but in my personal experience, you should prioritize protein for sustained energy and use fats (and, to a much lesser degree, carbs) for small bursts of energy when you need them. Avoid sugary, carb-heavy foods like the plague because they will dramatically reduce your ability to operate effectively throughout the 12+ hour day. Many low-budget sets will fill their craft services tables with inexpensive, simple carbs. If you’re in the middle of something when the call goes out, wait for a break in the action, then ask the person who made the call if they got the help they needed. Don’t get competitive, but do everything you can to respond immediately to a call for a PA. Train your ear to the sounds of the assistant directors’ voices because they are usually the ones making calls for PAs. However, don’t stand or set up where people will need to ask you to move in order to do their jobs. Know the main paths to and from set and position yourself near them. Sets can get crowded quickly, especially when shooting on location. Take an extra second to make sure you are about to address the correct member of the crew. Know what information you need to get and then formulate the fastest way to get it. Communicate ClearlyĪlways take a moment to consider your question or response before distracting anyone on the crew. Always ask for clarification if you haven’t understood a request - even if you catch a little heat for not understanding, you’ll be light years better off getting clarification than doing something incorrectly. Regardless of the tensions that exist, stay above them and give your fellow crew members the benefit of the doubt. So, what do you need to know to ace your first gig?Įvery member of the crew should be able to communicate with everyone else on set. With the right attitude, preparation, and energy, there are few quicker ways to make an impression on the members of a production with the power to hire you again for a better role in the future. PAs may be called upon to assist any member of the crew - from other PAs all the way up to the director and the producers. This is a tough fact to face, but few other roles offer the level of access and insight into the ins and outs of a film crew’s operation. If you mess up badly enough, the crew leadership will have absolutely no qualms about replacing you with another candidate from their list. If you want to get started in the film industry, a PA job is your best bet.īecause anyone can get the job, PAs are replaceable. You rarely need any hard-and-fast pre-requisite skills or experience to land a PA gig, which means most new PAs are starting out on relatively equal footing compared to other crew positions. The PA is the entry-level position for a filmmaking career.
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